THE INTERSECTION

This book is part of the project "The In-Between Fields of the Eyes," Celso Mathias' debut literary work in the field of writing, resulting from a consolidated artistic career in the visual arts.

The publication articulates fictional narrative, symbolic thought, and aesthetic experience, investigating the territories of the unconscious as a sensitive landscape and a space of crossing. The text directly dialogues with the author's visual production, marked by recurring images such as eyes, suspended architectures, unusual beings, and dreamlike atmospheres, now transposed into literary language without an illustrative or explanatory function.

The work is permeated by references to the author's studies on Carl Gustav Jung, especially regarding the notion of the unconscious as an autonomous field of images and symbols, understood not as pathology, but as living matter of subjective elaboration. The narrative adopts a fragmented writing style, with a controlled rhythm, rejecting classical linearity and closed resolution, in favor of a contemplative reading experience.

The Interfield of Eyes is situated within the field of contemporary literary fiction, strongly engaging with the visual arts and drawing on magical realism and symbolic literature without resorting to traditional genre structures. It is a work conceived both as a book and as an artistic object, capable of being used for exhibitions and educational purposes.

This bibliographical note accompanies the edition as a document contextualizing the work, intended for cataloging, registration, cultural announcements, and institutional circulation purposes.

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A man walks through a white door and discovers that the treatment doesn't begin in the body, but in the space between wakefulness and dreaming.

In The In-Between Field, reality doesn't break down—it shifts. Suspended cities, silent ships, and observing seas emerge not as escape, but as invisible layers of everyday life. Nothing presents itself as delirium; everything insists as presence.

This is the story of an intimate journey, where the unconscious manifests itself as landscape and the strange learns to coexist with the familiar. What is lost is not sanity, but the illusion that there is only one possible world.

Some places need no explanation.
They are asking to be listened to.